Tune in Tenor or Treble?
The reasons for composers’ and compilers’ placing of the air in the tenor in the eighteenth century, and the subsequent change of fashion, may be followed in the following quotation. […]
Tune in Tenor or Treble? Read More »
The reasons for composers’ and compilers’ placing of the air in the tenor in the eighteenth century, and the subsequent change of fashion, may be followed in the following quotation. […]
Tune in Tenor or Treble? Read More »
From Memoirs of P.P., clerk of this parish, quoted in The Music of the English Parish Church by Nicholas Temperley, Cambridge, 1979. “Now was the long expected time arrived, when the psalms of
Fuguing tunes often received criticism, such as that from J. I. Cobbin in 1830: “He [the writer] feels satisfied that those catching passages, generally miscalled fugues, and those repeating divisions of lines
Objections to Fuguing Tunes Read More »
(London: William Clowes & Sons), 1894 by S. Baring-Gould We have now dethroned the Metrical Psalms, but we have hardly gone far enough in the direction of hymnody. We want
Introduction to R. R. Chope, Carols For Use In Church Read More »
John Peck advised in 1837: The leader should not choose a tune which requires the repetition of some of the words, unless he wish to give emphasis to these particular
Matching Text and Tune Read More »
http://www.apuritansmind.com/puritanworship/RomaineWilliamExclusivePsalmody.htm There is another thing relating to the Psalms, I cannot call it an abuse: for it is a total neglect of them. They are quite rejected in many congregations,
From An Essay on Psalmody (Chapter 6) by Dr. William Romaine Read More »
A Country Parson: James Woodforde’s Diary, 1759-1802,Oxford University Press, 1985 by Alan Seymour According to the blurb inside the dust jacket:First published between 1924 and 1931, the diary of Parson
Extracts from Parson Woodforde’s Diary Read More »
But, sir, if many acts of indiscretion are committed by the organist and his one or two friends, what shall we say of an assembly of men and boys or
From The Parish Choir Read More »
by Karl Moritz (London: Cassell and Company, 1886) On to Nettlebed: a perfect village I walked a little way out of the village, where, at some distance, I saw several people
Travels in England in 1782 Read More »
by John Antes La Trobe At the appointed time they commence. The first specimen he has of his choir is perhaps ushered in by a clarinet, which, though rather a
From The music of the church considered in its various branches … Read More »
The Diary of William Holland, A Somerset Parson, 1799-1818(Over Stowey, Somerset) 1800Sun 23 FebThe Church was full this evening, some strangers with instruments of various kinds among the Singers. Poor
“Paupers and Pig-killers” Read More »
Francis W.Galpin In Musical News, July 8 1883, pp31-32, and July 15, 1883, pp.56-58. It is only at the church of Winterboume Abbas, a mile further up tbe valley, that a
The village church band; an interesting survival. Read More »
Originally published in The Connoisseur, No. 134, THURSDAY, AUGUST 19, 1756. Delicta majorum immeritus lues,Romane, donec templa refecerisÆdesque labentes Deorum, etFœda nigro simulacra fumo.The tott’ring tower, and mould’ring walls repair,And fill
William Cowper’s Observations on Country Churches Read More »
Firle, near Lewes, Sussex, 30th July 1832 At this church at Firle, which is in its itself and its surrounding trees a most beautiful thing, … there was not a
William Cobbett on Country Singers Read More »
by Charles Burney Lovers of mere harmony might receive great pleasure from Metrical Psalmody, in parts, devoid as it is of musical measure, and syllabic quantity, if it were well
From A General History of Music, volume ii, p.57 Read More »